Solo and Two Person Exhibitions

Coarse Fragility, Lesley Heller Gallery, New York, NY, curated by Monika Zarzeczna

rough edges, solo exhibition, Studio10, Brooklyn, NY

Fred Giampietro Gallery Project Space with Farrell Brickhouse and American Folk Art in Common-Ground, New Haven, CT

Storefront Ten Eyck, Brooklyn, NY, with Mie Yim

Make/Believe, Dubhe Carreno Gallery, Chicago, IL

I am what is around me, Nancy Margolis Gallery, New York, NY

Twenty-one Torsos and Twenty-four Feet, Garth Clark Gallery, Long Island City, NY

Inter/Views, New Jersey Center for Visual Art, Summit, NJ

Into the room of dream/dread I abrupt awake clapping, Jane Hartsook Gallery, New York, NY

Into the room of dream/dread I abrupt awake clapping, Zilkha Gallery, Wesleyan University, Middletown, CT

Work in Progress: Elise Siegel, The Mississippi Museum of Art, Jackson, MS

Second Skin, Halsey Gallery, School of the Arts, College of Charleston, Charleston, SC, (curated by Rene Paul Barilleaux)

Solo Exhibition, Laurie Rubin Gallery, New York, NY

Selected Group Exhibitions 

Claytopia, Plaxall Gallery, Long Island City, NY, curated by Matt Nolen

Salon Zürcher, Zürcher Gallery, New York, NY
It’s Necessary to Talk about Trees, River Valley Arts Collective at Foreland, Catskill, NY
Invincible Summer, Emmanuel Barbaux Gallery, New York, NY
Get Real: Figurative Sculpture by Women, Peninsula Fine Art Center, Newport News, VA
About Face, The Painting Center, New York, NY
Solo Exhibition, Ylise Kessler Gallery, Santa Fe, NM

Pageant of Inconceivables, Kleinert/James Center for the Arts, Woodstock, NY, Rachel Uffner Gallery, New York, NY, curated by Portia Munson and Katherine Umsted

Jay Clay, Jay, NY, curated by Jason Andrews

Morph, Asya Geisberg Gallery, New York, NY

Home Is Where The Heart Is, Kustera Projects, Brooklyn, NY, Sheila Johnson Design Center, Parsons School of Design, 2018, curated by Andrew Robinson and James Osman

Post-Election, September Gallery, Hudson, NY, curated by Kristen Dodge and Kate Gillmore

Me/You, C2C Gallery, San Francisco, CA, curated by Kirk Stoller

NY, NY: Clay, Clay Art Center, Port Chester, NY (curated by Judith Schwartz)

Earth, MC Gallery, New York, NY, (curated by Don Porcaro)

(self contained), Ventana 244, Brooklyn, NY (curated by Nina Felshin)

Who, Lesley Heller Workspace, New York, NY (curated by Lesley Heller)

Object/’Hood, Lesley Heller Workspace, New York, NY (curated by Gelah Penn and Inna Babaeva)

The Human Condition: The Stephen and Pamela Hootkin Collection of Contemporary Ceramics, Chazen Museum of Art, Madison, WI

Shifting Paradigms in Contemporary Ceramics: The Garth Clark and Mark Del Vecchio Collection, Museum of Fine Arts Houston, Houston, TX

Confrontational Ceramics, Westchester Arts Council’s Arts Exchange, White Plains, NY (curated by Judith Schwartz)

Voices, NCECA Invitational Exibition, Pittsburg, PA (curated by Holly Hanessian and Kate Lydon)

Wired, Ernest Rubenstein Gallery, Educational Alliance, New York, NY

Trans-Ceramic-Art, 3rd World Ceramic Biennale, Icheon, Korea

From the Neck Up, Garth Clark Gallery, New York, NY

Scarecrows/Higher Elevations, A project of College of the Atlantic, Bar Harbor, ME

The Outer Layer, New Jersey Center for Visual Arts, Summit, NJ

A Distinct Grace, Boulder Museum of Contemporary Art, Boulder, CO (travels to Firehouse Art Gallery, Nassau Community College, Garden City, NY, 1996, and to Hollins College Art Gallery, Roanoke VA, 1998)

Material Identities – Elise Siegel, Claude Simard, Carolee Thea, Nicholas Alexander Gallery, New York, NY

Fashion is a Verb, The Museum at FIT, New York, NY

Disembodied: Recent Sculpture by Lesley Dill, Leslie Fry and Elise Siegel, Robert Hull Fleming Museum, Burlington, VT (curated by Janie Cohen)

Empty Dress
– Clothing as Surrogate in Recent Art, Traveling exhibition circulated by Independent Curators Inc, opening at the Neuberger Museum, Purchase, NY (curated by Nina Felshin)

The Rag Trade (right off the rack), InterArt Center, New York, NY (curated by Saul Ostrow)

Aiming, The Shooting Gallery, New York, NY

1920, The Subtlety of Subversion, The Continuity of Intervention, Exit Art, New York, NY

American Art Today – Clothing as Metaphor, Art Museum, Florida International University, Miami, FL (curated by Dahlia Morgan)

The Forceful Gesture – Contemporary Drawings, Valencia College, Orlando, FL (curated by Judith Page)

Fashion, Trenkmann Gallery, New York, NY

War, Trenkmann Gallery, New York, NY

CoVariants: Abstract Painting & Sculpture, Tribeca 148 Gallery, Organization of Independent Artists, New York, NY

Emerging Sculptors, Sculpture Center, New York, NY

Made In New York: Encounters with Contemporary Sculpture, Williams Center for the Arts, Lafayette College, Easton, PA (curated by Judd Tully)

Black, Gray and White, Henry Feiwel Gallery, New York, NY

Nomadic Visions, Art Gallery, Southeastern Massachusetts University, North Dartmoth, MA (curated by Lasse Antonsen)

Alternative Supports, David Winton Bell Gallery, Brown University, Providence, RI (curated by Judith Tolnick)

Transformations, Richard Green Gallery, New York, NY (curated by Stephan Westfall)

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New York Foundation for the Arts Fellowship

Virginia A. Groot Foundation Award

Anonymous Was A Woman Award

New York Foundation for the Arts Fellowship

New York Foundation for the Arts Fellowship
MacDowell Art Colony Fellowship

Yaddo Art Colony Fellowship

Canada Council Art Bank Purchase

Canada Council Grant

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Antonsen, Lasse. Nomadic Visions. Art Gallery,
Southeastern Massachusetts University,
North Dartmonth, MA, 1988 (catalog)

Barrileaux, Rene. Work in Progress: Elise Siegel.
Mississippi Museum of Art, Jackson, MI, Oct. 1997 (brochure)

Cohen, Janie. Disembodied. Robert Hull Fleming Museum,
University of Vermont, Burlington, VT, March 1994 (brochure)

Day, Geffery. The State. Columbia, SC, Nov 1993

Felshin, Nina. The Penetrating Gaze of Portrait Busts, Hyperallergic, January 17, 2019

Felshin, Nina. Art Journal. Spring 1995

Felshin, Nina. Empty Dress. Neuberger Museum,
Purchase, NY, 1993 (catalog)

Felshin, Nina. Second Skin. Halsey Gallery,
College of Charleston, SC, 1993 (brochure)

Maine, Stephen. Elise Siegel and Her Inscrutable Heads, Hyperallergic, January 19, 2019

Montvidias-Kutkus, Kristina. Charlston Arts. Dec 1993

Princenthal, Nancy. Into the room of dream/dread I abrupt awake clapping. Jane Hartsook Gallery,
New York, NY, 2001 (brochure)

Princenthal, Nancy. Art in America. March 2005

Rockefeller, Hall. Almost Human, less than half, December 5, 2018

Scott, Sue. Art Papers. Jan-Feb 1994

Shuster, Robert. The Village Voice. May 1, 2007

Sofer, Ken. Art News. May 1987

Taplin, Robert. Art in America. December 2001

Tolnick, Judith. Alternative Supports. David Winton Bell Gallery,
Brown University, Providence, RI, 1987 (catalog)

Tully, Judd. Made in New York, Williams Center for the Arts,
Lafayette College, Easton, PA, 1989 (catalog)

Wayne, Leslie. Immediate, physical, emotional: Studio visit with Elise Siegel, Two Coats of Paint, January 6, 2019

Welch, Adam. Clay in Art International, 2005-2006

Wiener, Daniel. Elise Siegel, February 18, 2015

Boyle, Fintan and Jennie Nichols. Elise Siegel Studio Visit, Romanov Grave, October 3, 2019
Landi, Ann. Sculpture Magazine, November / December 2019

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Emily Carr College of Art, Vancouver, BC, Post-graduate study in sculpture

Emily Carr College of Art, Vancouver, BC, BFA

University of Chicago, Chicago, IL

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