\nAbigail Dudley and Elise Siegel: Painting and Sculpture<\/em>, Steven Harvey Fine Art Projects, New York, NY<\/p>\n
2023<\/strong> 2020<\/strong> 2019<\/strong> 2016<\/strong> 2015<\/strong> 2010<\/strong> 2007<\/strong> 2004 Inter\/Views, <\/em>New Jersey Center for Visual Art, Summit, NJ<\/p>\n 2001 Into the room of dream\/dread I abrupt awake clapping<\/em>, Zilkha Gallery, Wesleyan University, Middletown, CT<\/p>\n 1997<\/strong> 1993<\/strong> 1987<\/strong> 2025<\/strong> 2024<\/strong> 2020<\/strong> 2019<\/strong> 2018<\/strong> Jay Clay<\/em>, Jay, NY, curated by Jason Andrews<\/p>\n 2017<\/strong> Home Is Where The Heart Is<\/em>, Kustera Projects, Brooklyn, NY, Sheila Johnson Design Center, Parsons School of Design, 2018, curated by Andrew Robinson and James Osman<\/p>\n Post-Election<\/em>, September Gallery, Hudson, NY, curated by Kristen Dodge and Kate Gillmore<\/p>\n Me\/You<\/em>, C2C Gallery, San Francisco, CA, curated by Kirk Stoller<\/p>\n 2016<\/strong> Earth<\/em>, MC Gallery, New York, NY, (curated by Don Porcaro)<\/p>\n 2015<\/strong> Who,\u00a0<\/em>Lesley Heller Workspace, New York, NY (curated by Lesley Heller)<\/p>\n Object\/’Hood<\/em>, Lesley Heller Workspace, New York, NY (curated by Gelah Penn and Inna Babaeva)<\/p>\n 2014<\/strong> 2012<\/strong> 2008<\/strong> Voices<\/em>, NCECA Invitational Exibition, Pittsburg, PA (curated by Holly Hanessian and Kate Lydon)<\/p>\n Wired<\/em>, Ernest Rubenstein Gallery, Educational Alliance, New York, NY<\/p>\n <\/a>2005<\/strong> 2003 2000 1995<\/strong> A Distinct Grace<\/em>, Boulder Museum of Contemporary Art, Boulder, CO (travels to Firehouse Art Gallery, Nassau Community College, Garden City, NY, 1996, and to Hollins College Art Gallery, Roanoke VA, 1998)<\/p>\n Material Identities – Elise Siegel, Claude Simard, Carolee Thea<\/em>, Nicholas Alexander Gallery, New York, NY<\/p>\n Fashion is a Verb<\/em>, The Museum at FIT, New York, NY<\/p>\n 1994<\/strong> 1993<\/strong> The Rag Trade (right off the rack)<\/em>, InterArt Center, New York, NY (curated by Saul Ostrow)<\/p>\n Aiming<\/em>, The Shooting Gallery, New York, NY<\/p>\n 1920, The Subtlety of Subversion, The Continuity of Intervention<\/em>, Exit Art, New York, NY<\/p>\n American Art Today – Clothing as Metaphor<\/em>, Art Museum, Florida International University, Miami, FL (curated by Dahlia Morgan)<\/p>\n 1992<\/strong> Fashion<\/em>, Trenkmann Gallery, New York, NY<\/p>\n War<\/em>, Trenkmann Gallery, New York, NY<\/p>\n 1991<\/strong> 1989<\/strong> Made In New York: Encounters with Contemporary Sculpture<\/em>, Williams Center for the Arts, Lafayette College, Easton, PA (curated by Judd Tully)<\/p>\n 1988<\/strong> Nomadic Visions<\/em>, Art Gallery, Southeastern Massachusetts University, North Dartmoth, MA (curated by Lasse Antonsen)<\/p>\n 1987<\/strong> 1986<\/strong> 2025<\/strong> 2017 2016<\/strong> 2016<\/strong> 2014<\/strong> 2007<\/strong> 1988<\/strong> 1986<\/strong> 1982<\/strong> 1981<\/strong> Yau, John. A Tandem Dance of the Seen and Imagined, Hyperallergic<\/em>, October 9, 2025<\/p>\n Boyle, Fintan and Jennie Nichols.\u00a0 Elise Siegel Studio Visit<\/em>, Romanov Grave<\/em>, October 3, 2019<\/p>\n Landi, Ann.\u00a0 Sculpture Magazine<\/em>, November \/ December 2019<\/p>\n Jones, Whitney.\u00a0 Elise Siegel\u2019s Rough Edges. Cfile.<\/em> February 10, 2019<\/p>\n Maine, Stephen.\u00a0 Elise Siegel and Her Inscrutable Heads<\/em>. \u00a0Hyperallergic<\/em>, January 19, 2019<\/p>\n Felshin, Nina.\u00a0 The Penetrating Gaze of Portrait Busts. \u00a0Hyperallergic<\/em>, January 17, 2019<\/p>\n Wayne, Leslie.\u00a0 Immediate, physical, emotional:<\/em> Studio visit with Elise Siegel. \u00a0Two Coats of Paint,<\/em> Jan 6, 2019<\/p>\n Rockefeller, Hall.\u00a0 Almost Human. \u00a0less than half<\/em>, December 5, 2018<\/p>\n Heartney, Eleanor, Helaine Posner, Nancy Princethal and Sue Scott, Mothers of Invention<\/em>, Lund Humphreys, 2024<\/p>\n Weiner, Daniel.\u00a0 Elise Siegel<\/em>. \u00a0February 18, 2015<\/p>\n Princenthal, Nancy. \u00a0The Reckoning, Women Artists of the New Millennium<\/em>. \u00a0Prestel, 2013<\/p>\n Shuster, Robert.\u00a0 The Village Voice<\/em>.\u00a0 May 1, 2007<\/p>\n Princenthal, Nancy.\u00a0 Art in America<\/em>.\u00a0 March 2005<\/p>\n Princenthal, Nancy.\u00a0 Into the room of dream\/dread I abrupt awake clapping<\/em>. \u00a0Jane Hartsook Gallery, Taplin, Robert.\u00a0 Art in America<\/em>.\u00a0 December 2001<\/p>\n Antonsen, Lasse. Nomadic Visions<\/em><\/strong>. Art Gallery, Barrileaux, Rene. Work in Progress: Elise Siegel.<\/em> Cohen, Janie. Disembodied<\/em>. Robert Hull Fleming Museum, Day, Geffery. The State<\/em>. Columbia, SC, Nov 1993<\/p>\n
\nUnder the Skin<\/em>, solo exhibition, Steven Harvey Fine Art Projects, New York, NY<\/p>\n
\nCoarse Fragility<\/em>, Lesley Heller Gallery, New York, NY, curated by Monika Zarzeczna<\/p>\n
\nrough edges<\/em>, solo exhibition, Studio10, Brooklyn, NY<\/p>\n
\nFred Giampietro Gallery Project Space with Farrell Brickhouse and American Folk Art in\u00a0Common-Ground<\/em>,\u00a0New Haven, CT<\/p>\n
\nStorefront Ten Eyck, Brooklyn, NY, with Mie Yim<\/p>\n
\nMake\/Believe<\/em>, Dubhe Carreno Gallery, Chicago, IL<\/p>\n
\nI am what is around me<\/em>, Nancy Margolis Gallery, New York, NY<\/p>\n
\n<\/strong>Twenty-one Torsos and Twenty-four Feet, <\/em>Garth Clark Gallery, Long Island City, NY<\/p>\n
\n<\/em><\/strong>Into the room of dream\/dread I abrupt awake clapping<\/em>, Jane Hartsook Gallery, New York, NY<\/p>\n
\nWork in Progress: Elise Siegel<\/em>, The Mississippi Museum of Art, Jackson, MS<\/p>\n
\nSecond Skin<\/em>, Halsey Gallery, School of the Arts, College of Charleston, Charleston, SC, (curated by Rene Paul Barilleaux)<\/p>\n
\nSolo Exhibition<\/em>, Laurie Rubin Gallery, New York, NY<\/p>\nSelected Group Exhibitions\u00a0<\/em><\/h2>\n
\n<\/em>Busted<\/em>, Frederik Meijer Gardens and Sculpture Park, Grand Rapids, MI, curated by Suzanne Ramljak<\/p>\n
\nBeyond Face Value<\/em>, Artcake, Brooklyn, NY, curated by Lesley Heller<\/p>\n
\nClaytopia<\/em>, Plaxall Gallery, Long Island City, NY, curated by Matt Nolen<\/p>\n
\nSalon Z\u00fcrcher<\/em>, Z\u00fcrcher Gallery, New York, NY
\nIt\u2019s Necessary to Talk about Trees<\/em>, River Valley Arts Collective at Foreland, Catskill, NY
\nInvincible Summer<\/em>, Emmanuel Barbaux Gallery, New York, NY
\nGet Real: Figurative Sculpture by Women<\/em>, Peninsula Fine Art Center, Newport News, VA
\nAbout Face<\/em>, The Painting Center, New York, NY
\nSolo Exhibition<\/em>, Ylise Kessler Gallery, Santa Fe, NM<\/p>\n
\nPageant of Inconceivables<\/em>, Kleinert\/James Center for the Arts, Woodstock, NY, Rachel Uffner Gallery, New York, NY, curated by Portia Munson and Katherine Umsted<\/p>\n
\nMorph<\/em>, Asya Geisberg Gallery, New York, NY<\/p>\n
\nNY, NY: Clay<\/em>, Clay Art Center, Port Chester, NY (curated by Judith Schwartz)<\/p>\n
\n(self contained),\u00a0<\/em>Ventana 244, Brooklyn, NY (curated by Nina Felshin)<\/p>\n
\nThe Human Condition: The Stephen and Pamela Hootkin Collection of Contemporary Ceramics<\/em>, Chazen Museum of Art, Madison, WI<\/p>\n
\nShifting Paradigms in Contemporary Ceramics: The Garth Clark and Mark Del Vecchio Collection<\/em>, Museum of Fine Arts Houston, Houston, TX<\/p>\n
\nConfrontational Ceramics<\/em>, Westchester Arts Council\u2019s Arts Exchange, White Plains, NY (curated by Judith Schwartz)<\/p>\n
\nTrans-Ceramic-Art<\/em>, 3rd World Ceramic Biennale, Icheon, Korea<\/p>\n
\n<\/em><\/strong>From the Neck Up<\/em>, Garth Clark Gallery, New York, NY<\/p>\n
\n<\/em><\/strong>Scarecrows\/Higher Elevations<\/em>, A project of College of the Atlantic, Bar Harbor, ME<\/p>\n
\nThe Outer Layer<\/em>, New Jersey Center for Visual Arts, Summit, NJ<\/p>\n
\nDisembodied: Recent Sculpture by Lesley Dill, Leslie Fry and Elise Siegel<\/em>, Robert Hull Fleming Museum, Burlington, VT (curated by Janie Cohen)<\/p>\n
\nEmpty Dress<\/em> – Clothing as Surrogate in Recent Art, Traveling exhibition circulated by Independent Curators Inc, opening at the Neuberger Museum, Purchase, NY (curated by Nina Felshin)<\/p>\n
\nThe Forceful Gesture – Contemporary Drawings<\/em>, Valencia College, Orlando, FL (curated by Judith Page)<\/p>\n
\nCoVariants: Abstract Painting & Sculpture<\/em>, Tribeca 148 Gallery, Organization of Independent Artists, New York, NY<\/p>\n
\nEmerging Sculptors<\/em>, Sculpture Center, New York, NY<\/p>\n
\nBlack, Gray and White<\/em>, Henry Feiwel Gallery, New York, NY<\/p>\n
\nAlternative Supports<\/em>, David Winton Bell Gallery, Brown University, Providence, RI (curated by Judith Tolnick)<\/p>\n
\nTransformations<\/em>, Richard Green Gallery, New York, NY (curated by Stephan Westfall)<\/p>\n![\"\"](\"http:\/\/elisesiegel.com\/images\/btt.gif\")
back to top<\/a><\/p>\nAwards<\/h2>\n
\nVirginia A. Groot Foundation Grant<\/p>\n
\n<\/strong>New York Foundation for the Arts Fellowship<\/p>\n
\nNew York Foundation for the Arts Fellowship<\/p>\n
\nVirginia A. Groot Foundation Award<\/p>\n
\nAnonymous Was A Woman Award<\/p>\n
\nNew York Foundation for the Arts Fellowship<\/p>\n
\nNew York Foundation for the Arts Fellowship
\nMacDowell Art Colony Fellowship<\/p>\n
\nYaddo Art Colony Fellowship<\/p>\n
\nCanada Council Art Bank Purchase<\/p>\n
\nCanada Council Grant<\/p>\n back to top<\/a>
\n<\/a><\/p>\nBibliography<\/h2>\n
\nNew York, NY, 2001 (brochure)<\/p>\n
\nSoutheastern Massachusetts University,
\nNorth Dartmonth, MA, 1988 (catalog)<\/p>\n
\nMississippi Museum of Art, Jackson, MI, Oct. 1997 (brochure)<\/p>\n
\nUniversity of Vermont, Burlington, VT, March 1994 (brochure)<\/p>\n